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These 10 Non-Metal Covers of Iron Maiden Songs Still Rock

Jazz, funk, classical, acoustic, acapella: they all add up to the Number of the Beast

In the forty years(!) since bass deity Steve Harris very first formed Iron Maiden, the band has redefined heavy metal, ruled the planet as the hugest hard rock draw worldwide, and continued to up themselves as absolute masters of musical might, majesty, and mayhem.

In the course of this ongoing triumph, Iron Maiden has continually inspired countless fans and other artists. Best of all, Maiden's reach extends beyond just metal, punk (which is how record companies originally wanted to sell the group), and even just rock.

The following ten covers of Iron Maiden classics demonstrate a glimpse of how universal and brilliantly composed the band’s songs are. Check out how stunningly each one translates into a vast array of genres. Yet they all still stand, unmistakably, as Iron Maiden.

It’s enough to blow whatever’s inside that skull of Eddie the Head’s!

“The Trooper” – Steve N’ Seagulls

While our own Hayseed Dixie has whooped up a nifty bluegrass career covering AC/DC and other metal mainstays, Finland’s Steve N’ Seagulls really blow the outhouse roof of their hillbillified take on “The Trooper.” Also check out the SNS mountain jam of “Run to the Hills.”

“Fear of the Dark” – Jazzomosis

Italian groove trio Jazzomosis convert the title track from Maiden’s 1992 album into a smoothe, swinging slink into a downtown be-bop club with lush female vocals. Give a listen, as well, to what they do with Pantera’s “Walk” and Metallica’s “The Unforgiven.”

“Wasted Years” – Jammy Jams

Lullabye versions of anthems by AC/DC, Black Sabbath, Ramones, and numerous other hard rock titans have been the rage among cool parents for quite some time now. Iron Maiden naturally gets the night-nigh nursery treatment, as well. Here’s Jammy Jams gently plucking an instrumental “Wasted Years.”

“Twilight Zone” – Food for Thought

Food for Thought is a 2005 Iron Maiden tribute album by Swedish multi-instrumentalists Henrik Johansson and Matthias Reinholdsson and their associates. The concept takes 19 Maiden songs and interprets each one in a different style of music. It’s a real head trip. Their funk spin on “Twilight Zone” is a standout.

“The Number of the Beast” – Vitamin String Quartet

Vitamin String Quartet is an L.A.-based combo that specializes in reworking rock, punk, metal, and pop tunes for their classical four-piece format. Anatomy of Evil is VSQ’s Iron Maiden homage; their “Number of the Beast” is a keeper.

“Fear of the Dark” – Van Canto

German “a capella metal” sextet Van Canto recreates the thunder and lightning of Iron Maiden’s electrified instrumentation using only their voices and some backing from a drummer. There are moments here where you won’t believe nobody’s playing guitar—but they’re not.

“Aces High” – Thomas Zwijsen

Belgian classical guitar maestro Thomas Zwijsen is so devoted to translated Iron Maiden compositions into acoustic six-string operas that he’s released multiple cover albums on which he does just that, including Nylon Maiden (2013) and Nylon Maiden II (2014). Zwijsen is so noteworthy in the Maiden realm that, since 2011, he’s even been recording and touring with ex-Iron Maiden frontman Blaze Bayley.

“The Evil That Men Do” – Maiden United

UK-Netherlands collective Maiden United consists of a rotating roster of musicians who rearrange Iron Maiden songs as acoustic pieces. The group has performed all over Europe and even recorded with former Iron Maiden vocalists Paul Di’Anno and Blaze Bayley. Maiden United’s piano-driven “Evil That Men Do” transforms the original headbanging rip-roarer into a heartbreaking ode of contemplation.

“Run to the Hills” – Guilty Pleasures

Live from the Mandalay Bay in fabulous Las Vegas, “yacht rock” act Guilty Pleasures gallops through Iron Maiden’s signature anthem, complete with ersatz Michael McDonald vocals celebrating the struggles and triumphs of Native Americans. It’s soft as f—k!

“The Trooper” – Two Cellos

Croatian string duo Two Cellos pump an entire orchestra’s worth of symphonic fire into their frenzied but masterfully controlled revamp of “The Trooper.” Watch this mind-ripping video in which they mesmerizingly open with “The William Tell Overture” and then launch into “The Trooper” before an electrified audience.